The Doors – Live At The Bowl ´68

27,90

FORMAT – 2xLP Album RE,RM
LABEL – Elektra/Rhino Records
GENRE – Rock,Blues,Psychedelic

TRACKLIST

A1 – Start Show/Intro
A2 – When The Music’s Over
A3 – Alabama Song (Whiskey Bar)
A4 – Back Door Man
A5 – Five To One
A6 – Back Door Man (Reprise)
B1 – The Wasp (Texas Radio And The Big Beat)
B2 – Hello, I Love You
B3 – Moonlight Drive
B4 – Horse Latitudes
B5 – A Little Game
B6 – The Hill Dwellers
B7 – Spanish Caravan
C1 – Hey, What Would You Guys Like To Hear?
C2 – Wake Up!
C3 – Light My Fire
C4 – Light My Fire (Segue)
C5 – The Unknown Soldier
D1 – The End (Segue)
D2 – The End

On 5 July 1968, The Doors celebrated their own independent streak with a performance at the Hollywood Bowl which, like most things they did, has since passed into rock lore (and not just because Mick Jagger was in the crowd).If you re looking for high quality live áudio from the band,this edtion is it!

Description

On 5 July 1968, The Doors celebrated their own independent streak with a performance at the Hollywood Bowl which, like most things they did, has since passed into rock lore (and not just because Mick Jagger was in the crowd).

While parts of it have been released before, this is the first ever CD/vinyl (and DVD) release of the entire show, from intro to, inevitably, The End. Modern technology has found a way to clean up tracks previously considered poorly recorded, including Hello, I Love You and Spanish Caravan. It’s a reverent restoration job.

At the time The Doors, in their third year, were on an almighty high. Hello, I Love You was a Kinks-influenced radio staple racing towards No.1. The band grasped the show’s importance and, unusually, rehearsed (something they rarely did). It shows in the pacing, as crowd-pleasing, beefy 12-bars rein in Jim Morrison’s poetic, sometimes indulgent ramblings just before they tilt into self-parody.

What shows less is that the band took LSD before going onstage: Morrison sounds relatively cheerful, as if he’d had a big bag of barley sugars. If the musicians were all off their trolleys, one can only assume that rehearsals led to impeccable muscle memory. Ray Manzarek recalled they were “locked in”. Drummer John Densmore had even insisted on a planned set list, to be adhered to (again, something usually anathema to The Doors). There is a crisp, tight zip here, not always evident in the group’s cooed-over canon.

Possibly some of that is down to the new mix and edit. During Light My Fire you can hear firecrackers exploding: it sounds, as they say, like you are actually there, among the 18,000-strong congregation. So from the swing of When the Music’s Over and the sleazy lilt of Brecht/Weill’s Alabama Song, this is a band delivering, knowing they’ve arrived, swaggering without slobbering.

Moonlight Drive and Horse Latitudes are allowed to gleam and the night gathers momentum until that mother of all comedowns, The End, puts a wail in the tail. Love or loathe The Doors, this will polish the windows of your perception.

 

 

Additional information

Weight 1 kg